A few pedals I’ve helped bring to life.
I love helping turn big ideas into production-ready designs. Whether it’s dreamy modulation, glitchy chaos, or something entirely new, here are a few of the projects I’ve contributed to:
Albie — Big Ear Pedals
An instant classic. Eight curated modulation presets inspired by the dream-pop and new wave sounds of the ’80s and ’90s, all wrapped into a single, simple pedal. I designed the circuit, PCB and DSP algorithms.
Wet Hot American Bummer — Oneder Effects
A multi-mode delay with tap tempo and serious attitude. Choose from digital, tape, or lo-fi delay modes, then dial in reverb and chorus for lush, washed-out textures. A modulation control adds movement, while the noise toggle brings in the hiss and warble of a sunbaked cassette deck. It’s dreamy, degraded, and just the right amount of broken.
Atmosphere — Dr. Scientist Sounds
A fully programmable reverb workstation packed with wild and unexpected sounds. With 16 unique reverb engines—ranging from lush halls and ambient swells to bitcrushed shimmer and glitchy chaos—the Atmosphere is as much an instrument as it is a pedal. Built-in presets, MIDI control, and an OLED screen make it deep, powerful, and totally original.
Weeping Chaos - Abominable Electronics
A brutal blend of fuzz and delay built for doom, noise, and sonic destruction. Crushing distortion meets a warped delay line that can oscillate, smear, and spiral out of control.
I designed the circuit for the Chaos switch which maxes out the feeback and shifts the delay time all the way up or down depending on the knob setting. It also engages the pedal when pressed while the pedal is bypassed.